Udaya

Chhau

ছৌ

Also Seraikella Chhau, Purulia Chhau, Mayurbhanj Chhau.

Dance The Jharkhand, Odisha and Bengal borderlands

Share as image

· 1080 × 1350

WhatsApp opens with the words on this card and the address of the page, not with the picture: a link cannot carry a file. This browser cannot hand an image to another app either, so to send the picture itself, save it and attach it in the chat.

What it is#

Chhau is the masked martial dance of the country where Jharkhand, Odisha and West Bengal meet, performed in the open at the spring Chaitra Parva festival. Its vocabulary comes from the parikhanda, the shield and sword exercises of the region, so the movement is combat drill turned into dance: leaps, stamps, mock duels and animal and bird gaits. Two of its three styles use masks and one does not, which is the main thing that separates them. UNESCO listed it in 2010.

How it is built#

Three styles. Seraikella in Jharkhand uses a delicate painted mask with a neutral expression and is the most refined, performed historically by the princely family themselves. Purulia in Bengal uses an enormous, vividly painted papier mache mask with a headdress, and is loud, acrobatic and full of flying leaps. Mayurbhanj in Odisha uses no mask at all and is correspondingly more facial. The music is the dhol, dhamsa and mohuri, and the repertoire is episodes from the epics and from the puranas, Mahishasura Mardini above all.

How it is learnt#

The question a family actually has

Begun at about eight to ten, with the parikhanda exercises first: the shield and sword drill that supplies the stance and the footwork, done for a year or more before the dance. In the masked styles a dancer must learn to carry the whole expression in the body because the face is gone, which is the hardest adjustment and takes years. Training is seasonal, intensifying before the Chaitra Parva, and happens in village akhadas under a guru. Mask makers are a separate hereditary craft, concentrated at Charida in Purulia.

Whose lineage is whose#

Where a claim is contested, by whom

Seraikella was court patronised and its refinement reflects that: the royal family danced, and the style was shown in Europe in the 1930s. Purulia is a village form, performed by farming communities, with no court behind it. Mayurbhanj was also princely and dropped the mask. Since royal patronage ended the three have survived unevenly and on very different footings, and the Purulia troupes in particular perform for small sums at festivals while the form carries a UNESCO listing. The mask makers of Charida are in similar difficulty, and both facts are raised whenever the form is discussed in Bengal.

Worth knowing#

Everything in the body

A Purulia mask has a fixed expression and covers the entire face, so a dancer playing Mahishasura or the goddess has no eyes, no mouth and no eyebrows to work with. The whole characterisation goes into the spine, the shoulders and the angle of the head, and the audience reads a mask as furious or triumphant from the body alone. Dancers describe the mask as a thing you act through rather than behind, and the Mayurbhanj style, which dropped it, is regarded by the masked styles as having taken an easier road.

Chaitra Parva

The main season is the Chaitra Parva at the end of the Hindu year in April, when the performances run through the night in village grounds over several days, and the whole region attends. The dancers are farmers and labourers the rest of the year. The timing is agricultural: it is the gap before the fields need work again, the same logic that closes the Yakshagana season at Pattanaje and the theyyam season at Edavam. Masked dance in eastern India keeps the same calendar as the crop.

Where the regions differ#

  • Tamil
  • Kerala
  • Telugu
  • Kannada
  • North
  • Maharashtra
  • Bengal
  • Punjab
  • Assam
  • Sri Lanka
  • Nepal
  • Gujarat
  • Odisha
  • Mithila
  • Kashmir
  • Tulu Nadu
  • manipur
  • rajasthan
  • konkani
  • sindhi
  • jharkhand
  • himalayan
  • kodava
Where it is kept: 3 of the 23 traditions this app follows. The filled one is where it is from.
Bengal
Purulia Chhau with the great painted masks, made at Charida, performed by village troupes at Chaitra Parva.
Odisha
Mayurbhanj Chhau, danced without a mask, with princely patronage behind it historically.
North India
Seraikella Chhau in Jharkhand, the most refined of the three, with the delicate neutral mask and a court origin.

All the arts