Udaya

Kuchipudi

కూచిపూడి कूचिपूडि

Also Kuchipudi Bhagavatam, Bhamakalapam.

Dance Andhra Pradesh

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What it is#

Kuchipudi takes its name from a village in Krishna district where Brahmin families performed dance drama as an offering, and the form is still closer to theatre than any other classical solo dance. The dancer speaks, which a Bharatanatyam dancer does not, and enters in character with a spoken introduction. Its best known sequences are a dance on the rim of a brass plate and a dance with a pot of water balanced on the head, both of which belong to the drama rather than being added display. For most of its history it was performed only by men, including the women’s roles.

How it is built#

The repertoire runs from dance drama, the Bhagavatam, to the solo items a concert now uses. Bhamakalapam, the quarrel and reconciliation of Satyabhama and Krishna, is the central drama and takes a whole evening. The tarangam is the plate dance, performed to a tarangam of Narayana Teertha, with the dancer moving on the raised rim and sometimes with a pot on the head and a diya in each hand. The footwork is quicker and more rounded than Bharatanatyam’s, the torso more mobile, and the entrance with spoken self introduction, the pravesa daruvu, is unique to it.

How it is learnt#

The question a family actually has

A child begins at about six. Early training is the adugulu, the basic steps, and the jatis, and the hand vocabulary overlaps heavily with Bharatanatyam, which is why many dancers hold both. Three to five years brings the first solo items; the tarangam is given later and practised for months on a plate on the floor before it is attempted on the rim. A dancer who wants the dramas must also learn to speak and to sing in Telugu. The rangapravesam, the first full performance, usually comes at eight to twelve years of training.

Whose lineage is whose#

Where a claim is contested, by whom

Tradition credits Siddhendra Yogi, probably of the fifteenth or seventeenth century, with composing Bhamakalapam and with binding the village Brahmin families to perform it. The hereditary families of Kuchipudi village performed as men only, and the shift to a solo concert form danced largely by women happened in the twentieth century through Vedantam Lakshminarayana Sastry and then Vempati Chinna Satyam, who built the solo repertoire now taught everywhere. The hereditary families and the solo school do not always agree about which is the tradition, and the village still performs the dramas in its own way.

Worth knowing#

Dancing on the rim

The tarangam has the dancer step onto a brass plate and move on its raised edge, keeping the rhythm with the feet while balancing, often with a pot of water on the head and a lamp in each hand. It is the image Kuchipudi is known by and is the part audiences come for. Within the tradition it is treated with some ambivalence: it is genuine and old, and it is also the thing that gets photographed, and teachers warn students against building a career on it before the abhinaya is there.

The men who played Satyabhama

For centuries every role including Satyabhama was danced by men of the Brahmin families of the village, and the great Satyabhamas were male performers whose reputations rested on it. Vedantam Satyanarayana Sarma, who died in 2012, was the last of that line to be widely seen. The form is now danced overwhelmingly by women, and the hereditary male tradition has nearly ended. Both facts are stated in the same breath in Andhra, usually without a conclusion being drawn.

Where the regions differ#

  • Tamil
  • Kerala
  • Telugu
  • Kannada
  • North
  • Maharashtra
  • Bengal
  • Punjab
  • Assam
  • Sri Lanka
  • Nepal
  • Gujarat
  • Odisha
  • Mithila
  • Kashmir
  • Tulu Nadu
  • manipur
  • rajasthan
  • konkani
  • sindhi
  • jharkhand
  • himalayan
  • kodava
Where it is kept: 2 of the 23 traditions this app follows. The filled one is where it is from.
Andhra and Telangana
Kuchipudi village in Krishna district is the home and still performs the dramas; the solo concert form is taught across Andhra, Telangana and beyond.
Tamil Nadu
Taught in Chennai alongside Bharatanatyam and performed in the December season, with many dancers trained in both.

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