Udaya

Kalamkari

కలంకారీ

Also Srikalahasti kalamkari, Machilipatnam kalamkari, Pen work.

Craft Andhra and Telangana

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What it is#

Kalamkari is cloth painted or block printed with natural dyes, from kalam, a pen, and kari, work. Two quite different traditions carry the name: Srikalahasti, where the whole design is drawn freehand with a bamboo pen and the subjects are temple narratives made as hangings for shrines, and Machilipatnam, where the work is block printed and the tradition came through Persian and later European trade. The dyes are mineral and vegetable and the cloth goes through many washes, so a finished piece has taken weeks.

How it is built#

The cloth is treated with myrobalan and buffalo milk, which stops the dye spreading and fixes it. The pen is a pointed bamboo with a ball of cloth bound behind the tip as a reservoir, squeezed to release the dye. Black comes from iron filings fermented with jaggery, red from alum as a mordant with madder, yellow from myrobalan or pomegranate, blue from indigo. The cloth is boiled, washed in running water and sun bleached between stages, and the number of washes is why the colours are what they are. A Srikalahasti temple hanging may take a month or more.

How it is learnt#

The question a family actually has

Learnt in the workshop from childhood in the Srikalahasti families, beginning with filling in areas already outlined by an older hand, then borders, then faces and finally the composition. Dye preparation is learnt alongside and is half the craft. Five to ten years makes an independent artisan. The National Institute of Fashion Technology and state craft institutes now run short courses that produce designers rather than artisans, and the distinction is made firmly by the workshops.

Whose lineage is whose#

Where a claim is contested, by whom

The Srikalahasti work is temple work, tied to the Andhra temples and to the chitrakathi narrative tradition, and has a Geographical Indication. Machilipatnam was a port and its printed kalamkari was made for export to Persia and later to Europe, which shaped its motifs towards floral and arabesque patterns. The two are often sold interchangeably and are not the same craft. Chemical dyes and screen printing have taken most of the market, and the GI protects the name without much protecting the method, which practitioners say plainly.

Worth knowing#

Black out of iron and jaggery

The black line is made by fermenting iron filings with jaggery and water for a couple of weeks, which produces an iron acetate solution. Drawn on cloth treated with myrobalan, it reacts with the tannin and turns black. It is not a pigment sitting on the surface; it is a chemical reaction in the fibre, which is why it does not wash out and why the line cannot be corrected once drawn. The artisan draws the entire outline of a complex narrative hanging freehand with no possibility of erasure.

Washed in the river

Between dye stages the cloth is washed in running water and laid out in the sun, repeatedly. The traditional process depended on the river at Srikalahasti and on long bleaching grounds, and the quality of the colour depends on the washing as much as on the dye. Where water is scarce or polluted the colours change. It is one of those crafts where the environment is a material, and artisans will say that a piece made now does not look like one made fifty years ago for reasons that have nothing to do with skill.

Where the regions differ#

  • Tamil
  • Kerala
  • Telugu
  • Kannada
  • North
  • Maharashtra
  • Bengal
  • Punjab
  • Assam
  • Sri Lanka
  • Nepal
  • Gujarat
  • Odisha
  • Mithila
  • Kashmir
  • Tulu Nadu
  • manipur
  • rajasthan
  • konkani
  • sindhi
  • jharkhand
  • himalayan
  • kodava
Where it is kept: 3 of the 23 traditions this app follows. The filled one is where it is from.
Andhra and Telangana
Srikalahasti for the pen drawn temple hangings and Machilipatnam for the block printed export cloth, both with Geographical Indications.
Tamil Nadu
The temple hangings were made for Tamil temples too, and Sickinaickenpet keeps a related painted cloth tradition.
Odisha
Pattachitra is the neighbouring painted cloth tradition with a different technique and a temple function of its own.

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